Episode:The Art of Deception - Revision history

imported>Ryangibsonstewart: next

2015-10-14T14:18:19Z

← Older revision		Revision as of 14:18, 14 October 2015
(No difference)

imported>Ryangibsonstewart: next

2015-10-14T14:18:19Z

← Older revision		Revision as of 14:18, 14 October 2015
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	{{nav\|season=Four\|title=The Art of Deception\|last=Pass/Fail}}		{{nav\|season=Four\|title=The Art of Deception\|last=Pass/Fail\|next=The Wall}}
	</noinclude><includeonly><center>{{blurb}}<center>''For a complete summary, see the '''[[Episode:The Art of Deception\|full article]]'''<!--,<br>or watch the episode on [http://www.hulu.com/HULU-LINK Hulu]-->.''</center>{{blurbclose}}</center></includeonly>		</noinclude><includeonly><center>{{blurb}}<center>''For a complete summary, see the '''[[Episode:The Art of Deception\|full article]]'''<!--,<br>or watch the episode on [http://www.hulu.com/HULU-LINK Hulu]-->.''</center>{{blurbclose}}</center></includeonly>
	<noinclude>[[Category:Episodes\|416]]		<noinclude>[[Category:Episodes\|416]]

imported>PJDEP: 't know what Samuel meant by this, Joseph didn't have empathy and Peter was also called an empath, even though he has ability replication (pressed Enter by accident)

2010-02-25T02:15:34Z

't know what Samuel meant by this, Joseph didn't have empathy and Peter was also called an empath, even though he has ability replication (pressed Enter by accident)

← Older revision		Revision as of 02:15, 25 February 2010
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	At the [[Sullivan Bros. Carnival]], [[Samuel]] leaves his trailer and strolls along the midway. The other carnival residents give him a wide berth as he goes to [[Lydia]] and asks where everyone is. She tells him that the carnival is closed and everyone is afraid of him after what he did to the town. Lydia notes that all they wanted was a place to call their own, and wonders if he ever wanted the same thing. When he realizes she hasn't trusted him for a long time, she asks him to give her a reason and wants to take his hand, but he does not let her. Samuel wonders if she's become the empath to replace [[Joseph]], and what she's been telling the others. Lydia admits that nobody respects him, and Samuel says he'll win their respect back because he loves and needs them. He insists he'll do whatever he has to, to prove his worth.		At the [[Sullivan Bros. Carnival]], [[Samuel]] leaves his trailer and strolls along the midway. The other carnival residents give him a wide berth as he goes to [[Lydia]] and asks where everyone is. She tells him that the carnival is closed and everyone is afraid of him after what he did to the town. Lydia notes that all they wanted was a place to call their own, and wonders if he ever wanted the same thing. When he realizes she hasn't trusted him for a long time, she asks him to give her a reason and wants to take his hand, but he does not let her. Samuel wonders if she's become the empath to replace [[Joseph]], and what she's been telling the others. Lydia admits that nobody respects him, and Samuel says he'll win their respect back because he loves and needs them. He insists he'll do whatever he has to, to prove his worth.

	[[Peter]] is having another [[precognitive dreaming\|precognitive dream]] of [[Emma]] playing her cello in the [[House of Mirrors]], and [[Sylar]] ~~arriving~~ to save her as [[Doyle]] [[puppet master\|mimics playing a cello]]. He wakes up in his [[Peter's apartment\|apartment]] and calls Emma at the hospital. She's not there, and he confirms she isn't at home either. He hangs up and then gets a call from [[Angela]].		[[Peter]] is having another [[precognitive dreaming\|precognitive dream]] of [[Emma]] playing her cello in the [[House of Mirrors]], and [[Sylar]] arrives to save her as [[Doyle]] [[puppet master\|mimics playing a cello]]. He wakes up in his [[Peter's apartment\|apartment]] and calls Emma at the hospital. She's not there, and he confirms she isn't at home either. He hangs up and then gets a call from [[Angela]].

	[[Matt]] arrives home and calls out for [[Janice]], but finds Sylar waiting for him. For a moment, Matt wonders if Sylar is only in his head but Sylar tells him to calm down and explains that he's on a fact-finding mission. Janice casually comes in and explains that she took [[Matt Jr.]] to day-care, and has made lunch for Matt and Sylar, whom she believes was Matt's partner on the force. Sylar tells Matt they need to catch up.		[[Matt]] arrives home and calls out for [[Janice]], but finds Sylar waiting for him. For a moment, Matt wonders if Sylar is only in his head but Sylar tells him to calm down and explains that he's on a fact-finding mission. Janice casually comes in and explains that she took [[Matt Jr.]] to day-care, and has made lunch for Matt and Sylar, whom she believes was Matt's partner on the force. Sylar tells Matt they need to catch up.

imported>PJDEP: /* Synopsis */ We don

2010-02-25T02:14:06Z

Synopsis: We don

← Older revision		Revision as of 02:14, 25 February 2010
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	==Synopsis==		==Synopsis==
	[[Image:4x16episodetitle.jpg\|right\|250px]]		[[Image:4x16episodetitle.jpg\|right\|250px]]
	At the [[Sullivan Bros. Carnival]], [[Samuel]] leaves his trailer and strolls along the midway. The other carnival residents give him a wide berth as he goes to [[Lydia]] and asks where everyone is. She tells him that the carnival is closed and everyone is afraid of him after what he did to the town. Lydia notes that all they wanted was a place to call their own, and wonders if he ever wanted the same thing. When he realizes she hasn't trusted him for a long time, she asks him to give her a reason and wants to take his hand, but he does not let her. Samuel wonders if she's become the ~~[[empathy\|~~empath]] to replace [[Joseph]], and what she's been telling the others. Lydia admits that nobody respects him, and Samuel says he'll win their respect back because he loves and needs them. He insists he'll do whatever he has to, to prove his worth.		At the [[Sullivan Bros. Carnival]], [[Samuel]] leaves his trailer and strolls along the midway. The other carnival residents give him a wide berth as he goes to [[Lydia]] and asks where everyone is. She tells him that the carnival is closed and everyone is afraid of him after what he did to the town. Lydia notes that all they wanted was a place to call their own, and wonders if he ever wanted the same thing. When he realizes she hasn't trusted him for a long time, she asks him to give her a reason and wants to take his hand, but he does not let her. Samuel wonders if she's become the empath to replace [[Joseph]], and what she's been telling the others. Lydia admits that nobody respects him, and Samuel says he'll win their respect back because he loves and needs them. He insists he'll do whatever he has to, to prove his worth.

	[[Peter]] is having another [[precognitive dreaming\|precognitive dream]] of [[Emma]] playing her cello in the [[House of Mirrors]], and [[Sylar]] arriving to save her as [[Doyle]] [[puppet master\|mimics playing a cello]]. He wakes up in his [[Peter's apartment\|apartment]] and calls Emma at the hospital. She's not there, and he confirms she isn't at home either. He hangs up and then gets a call from [[Angela]].		[[Peter]] is having another [[precognitive dreaming\|precognitive dream]] of [[Emma]] playing her cello in the [[House of Mirrors]], and [[Sylar]] arriving to save her as [[Doyle]] [[puppet master\|mimics playing a cello]]. He wakes up in his [[Peter's apartment\|apartment]] and calls Emma at the hospital. She's not there, and he confirms she isn't at home either. He hangs up and then gets a call from [[Angela]].

imported>Ryangibsonstewart: lk

2010-02-07T15:10:13Z

← Older revision		Revision as of 15:10, 7 February 2010
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	*The scene where Matt Parkman is burying Sylar's comatose body behind a brick wall before Peter arrived at the house is reminiscent of the Edgar Allen Poe story "The Cask of Amontillado".		*The scene where Matt Parkman is burying Sylar's comatose body behind a brick wall before Peter arrived at the house is reminiscent of the Edgar Allen Poe story "The Cask of Amontillado".

	*During the mind-link scene between [[Matt]] and [[Sylar]], [[Charlie]] appears among the parade of victims, even though [[Hiro]] had already succeeded in not only keeping her alive, but also in having Sylar repair her aneurysm.		*During the mind-link scene between [[Matt]] and [[Sylar]], [[Charlie]] appears among the parade of victims, even though [[Hiro]] had already succeeded in not only keeping her alive, but also in having Sylar repair her [[aneurysm]].

	==See Also==		==See Also==

imported>PJDEP at 05:34, 3 February 2010

2010-02-03T05:34:02Z

← Older revision		Revision as of 05:34, 3 February 2010
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	\| directedby = [[SJ Clarkson]]		\| directedby = [[SJ Clarkson]]
	\| last = [[Episode:Pass/Fail\|Pass/Fail]]		\| last = [[Episode:Pass/Fail\|Pass/Fail]]
	\| next =		\| next = [[Episode:The Wall\|The Wall]]
	\| spoiler =		\| spoiler =
	}}		}}

imported>RedScharlach: minor text edits, typo fixes

2010-01-31T11:56:18Z

minor text edits, typo fixes

Show changes

imported>TracyStraussFan at 19:52, 29 January 2010

2010-01-29T19:52:06Z

← Older revision		Revision as of 19:52, 29 January 2010
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	*In order to save [[Emma]], [[Peter]] tries to track down [[Sylar]].		*In order to save [[Emma]], [[Peter]] tries to track down [[Sylar]].
	*Sylar seeks help from [[Matt]] but gets more then he bargains for.		*Sylar seeks help from [[Matt]] but gets more then he bargains for.
	*[[Tracy~~\|Noah's friend~~]] is called into action.		*[[Tracy]] is called into action.
	<noinclude>		<noinclude>
	<!--		<!--
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	Matt greets Peter, who shakes his hand and [[ability replication\|replicates]] his telepathy. He then uses the telepathy to learn what Matt has done. He goes downstairs and Matt explains that he's trapped Sylar inside his own head. Peter insists he has to get him out and steps forward, touching Sylar's head before Matt can stop him. Peter finds himself in a mental landscape of an empty city. He calls out to Matt but gets no response.		Matt greets Peter, who shakes his hand and [[ability replication\|replicates]] his telepathy. He then uses the telepathy to learn what Matt has done. He goes downstairs and Matt explains that he's trapped Sylar inside his own head. Peter insists he has to get him out and steps forward, touching Sylar's head before Matt can stop him. Peter finds himself in a mental landscape of an empty city. He calls out to Matt but gets no response.

	In the woods, Lauren makes a phone call to [[Tracy Strauss]]. She explains that Noah told her to call Tracy if anything went wrong.		In the woods, Lauren makes a phone call to [[Tracy Strauss]]. She explains that Noah told her to call Tracy if anything went wrong. Tracy appears to sigh.

	Samuel closes Lydia's eyes as [[Edgar]] arrives at [[super speed]] to mourn her death. He explains that he went to Noah, and Samuel says that it was the normal people that killed Lydia. Edgar wonders how Samuel let it happen. Samuel then goes outside and tells the carnival residents that he was willing to sacrifice himself to save them. However, he points out that the outside world has proven once again that they'll never accept them, and the people in the town looked at him with revulsion. Samuel tells his people that it's time to put fear behind them and show the world what they truly are.		Samuel closes Lydia's eyes as [[Edgar]] arrives at [[super speed]] to mourn her death. He explains that he went to Noah, and Samuel says that it was the normal people that killed Lydia. Edgar wonders how Samuel let it happen. Samuel then goes outside and tells the carnival residents that he was willing to sacrifice himself to save them. However, he points out that the outside world has proven once again that they'll never accept them, and the people in the town looked at him with revulsion. Samuel tells his people that it's time to put fear behind them and show the world what they truly are.

imported>Ryangibsonstewart: lk

2010-01-28T04:58:26Z

← Older revision		Revision as of 04:58, 28 January 2010
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	At the [[Sullivan Bros. Carnival]], [[Samuel]] leaves his trailer and strolls along the midway. The other carnival residents give him a wide berth as he goes to [[Lydia]] and asks where everyone is. She tells him that the carnival is closed and everyone is afraid of him after what he did to the town. Lydia notes that all they wanted was a place to call their own, and wonders if he ever wanted the same thing. When he realizes she hasn't trusted him for a long time, she asks him to give her a reason and wants to take his hand, but he does not let her. Samuel wonders if she's become the [[empathy\|empath]] to replace [[Joseph]], and what she's been telling the others. Lydia admits that nobody respects them, and Samuel says he'll win their respect back because he loves and needs them. He insists he'll do whatever he has to, to prove his worth.		At the [[Sullivan Bros. Carnival]], [[Samuel]] leaves his trailer and strolls along the midway. The other carnival residents give him a wide berth as he goes to [[Lydia]] and asks where everyone is. She tells him that the carnival is closed and everyone is afraid of him after what he did to the town. Lydia notes that all they wanted was a place to call their own, and wonders if he ever wanted the same thing. When he realizes she hasn't trusted him for a long time, she asks him to give her a reason and wants to take his hand, but he does not let her. Samuel wonders if she's become the [[empathy\|empath]] to replace [[Joseph]], and what she's been telling the others. Lydia admits that nobody respects them, and Samuel says he'll win their respect back because he loves and needs them. He insists he'll do whatever he has to, to prove his worth.

	[[Peter]] is having another [[precognitive dreaming\|precognitive dream]] of [[Emma]] playing her cello in the House of Mirrors, and [[Sylar]] arriving to save her as [[Doyle]] [[puppet master\|mimics playing a cello]]. He wakes up in his apartment and calls Emma at the hospital. She's not there, and he confirms she isn't at her apartment. He hangs up and then gets a call from [[Angela]].		[[Peter]] is having another [[precognitive dreaming\|precognitive dream]] of [[Emma]] playing her cello in the [[House of Mirrors]], and [[Sylar]] arriving to save her as [[Doyle]] [[puppet master\|mimics playing a cello]]. He wakes up in his apartment and calls Emma at the hospital. She's not there, and he confirms she isn't at her apartment. He hangs up and then gets a call from [[Angela]].

	[[Matt]] arrives home and calls out for [[Janice]], and finds Sylar waiting for him. For a moment, Matt wonders if he's really there but Sylar tells him to calm down. He explains that he's on a fact-finding mission. Janice casually comes in and explains that she took [[Matt Jr.]] to day-care, and she's home for the day. Sylar continues his ruse that he's Matt's partner on the force, and Janice makes lunch for them as Sylar tells Matt they need to catch up.		[[Matt]] arrives home and calls out for [[Janice]], and finds Sylar waiting for him. For a moment, Matt wonders if he's really there but Sylar tells him to calm down. He explains that he's on a fact-finding mission. Janice casually comes in and explains that she took [[Matt Jr.]] to day-care, and she's home for the day. Sylar continues his ruse that he's Matt's partner on the force, and Janice makes lunch for them as Sylar tells Matt they need to catch up.

imported>Ryangibsonstewart: hide empty section; sp, word usage

2010-01-28T01:33:17Z

hide empty section; sp, word usage

← Older revision		Revision as of 01:33, 28 January 2010
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	*[[Tracy\|Noah's friend]] is called into action.		*[[Tracy\|Noah's friend]] is called into action.
	<noinclude>		<noinclude>
			<!--

	==Story Development==		==Story Development==
	{{StoryDevelopment\|links= }}		{{StoryDevelopment\|links= }}
			-->

	==Synopsis==		==Synopsis==
	[[Image:4x16episodetitle.jpg\|right\|250px]]		[[Image:4x16episodetitle.jpg\|right\|250px]]
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	==Trivia==		==Trivia==
	*The scene where Matt Parkman is burying Sylar's comatose body behind a brick wall before Peter arrived at the house is ~~reminiscient~~ to the Edgar Allen Poe story "The Cask of Amontillado".		*The scene where Matt Parkman is burying Sylar's comatose body behind a brick wall before Peter arrived at the house is reminiscent of the Edgar Allen Poe story "The Cask of Amontillado".

	*During the mind-link scene between [[Matt]] and [[Sylar]], [[Charlie]] appears among the parade of victims, even though [[Hiro]] had already succeeded in not only keeping her alive, but also in having Sylar repair her aneurysm.		*During the mind-link scene between [[Matt]] and [[Sylar]], [[Charlie]] appears among the parade of victims, even though [[Hiro]] had already succeeded in not only keeping her alive, but also in having Sylar repair her aneurysm.

← Older revision		Revision as of 14:18, 14 October 2015
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	{{nav\|season=Four\|title=The Art of Deception\|last=Pass/Fail}}		{{nav\|season=Four\|title=The Art of Deception\|last=Pass/Fail\|next=The Wall}}
	</noinclude><includeonly><center>{{blurb}}<center>''For a complete summary, see the '''[[Episode:The Art of Deception\|full article]]'''<!--,<br>or watch the episode on [http://www.hulu.com/HULU-LINK Hulu]-->.''</center>{{blurbclose}}</center></includeonly>		</noinclude><includeonly><center>{{blurb}}<center>''For a complete summary, see the '''[[Episode:The Art of Deception\|full article]]'''<!--,<br>or watch the episode on [http://www.hulu.com/HULU-LINK Hulu]-->.''</center>{{blurbclose}}</center></includeonly>
	<noinclude>[[Category:Episodes\|416]]		<noinclude>[[Category:Episodes\|416]]