Mark Spatny - Revision history

imported>Ryangibsonstewart: /* Trivia */ shrine

2015-10-14T01:36:39Z

Trivia: shrine

← Older revision		Revision as of 01:36, 14 October 2015
(No difference)

imported>Ryangibsonstewart: /* Trivia */ shrine

2015-10-14T01:36:39Z

Trivia: shrine

← Older revision		Revision as of 01:36, 14 October 2015
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	[[Image:Mark Spatny VES.jpg\|right\|thumb]]		[[Image:Mark Spatny VES.jpg\|right\|thumb]]

			==Notes==
			* Mark Spatny's name appears on [[:Image:Memorial names.JPG\|a shrine]] at the [[explosion memorial]].

	==Trivia==		==Trivia==

imported>Ryangibsonstewart: /* About */ touch

2012-02-01T04:20:34Z

About: touch

← Older revision		Revision as of 04:20, 1 February 2012
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	==About==		==About==
	Mark Spatny got his start as a production and lighting designer for the stage, then moving into 3D modeling and computer game design (for Disney Interactive and other PC game producers). Soon thereafter, Mark went to work as a producer and digital effects supervisor for Modern Videofilm, where he worked on films such as ''I, Robot'', ''The Last Samurai'', and ''The League of Extraordinary Gentlemen'', as well as television shows like ''Everwood'', ''Gilmore Girls'', ''Birds of Prey'', and ''Sabrina the Teenage Witch''. He then went to work for POP Film, where he was the production manager for ''What Dreams May Come'' (which won an Oscar for its effects), ''Armageddon'', ''[[Star Trek]]: Insurrection'', and ''Doctor Dolittle''. Some of Mark's other credits include ''The Lost Room'', ''Ruffian'', ''Ugly Betty'', ''[[Battlestar Galactica]]'', ''Mortal Kombat: Annihilation'', ''Wanda at Large'', and ''Baby Bob''.		Mark Spatny got his start as a production and lighting designer for the stage, then moving into 3D modeling and computer game design (for Disney Interactive and other PC game producers). Soon thereafter, Mark went to work as a producer and digital effects supervisor for Modern Videofilm, where he worked on films such as ''I, Robot'', ''The Last Samurai'', and ''The League of Extraordinary Gentlemen'', as well as television shows like ''Everwood'', ''Gilmore Girls'', ''Birds of Prey'', and ''Sabrina the Teenage Witch''. He then went to work for POP Film, where he was the production manager for ''What Dreams May Come'' (which won an Oscar for its effects), ''Armageddon'', ''[[Star Trek]]: Insurrection'', and ''Doctor Dolittle''. Some of Mark's other credits include ''The Lost Room'', ''Ruffian'', ''Ugly Betty'', ''[[Battlestar Galactica]]'', ''Mortal Kombat: Annihilation'', ''Wanda at Large'', and ''Baby Bob''.

			Following ''Heroes'', Mark did visual effects for [[Tim Kring]]'s ''Touch''.

	==Notes==		==Notes==

imported>Ryangibsonstewart: lk

2010-01-16T14:49:13Z

← Older revision		Revision as of 14:49, 16 January 2010
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	==About==		==About==
	Mark Spatny got his start as a production and lighting designer for the stage, then moving into 3D modeling and computer game design (for Disney Interactive and other PC game producers). Soon thereafter, Mark went to work as a producer and digital effects supervisor for Modern Videofilm, where he worked on films such as ''I, Robot'', ''The Last Samurai'', and ''The League of Extraordinary Gentlemen'', as well as television shows like ''Everwood'', ''Gilmore Girls'', ''Birds of Prey'', and ''Sabrina the Teenage Witch''. He then went to work for POP Film, where he was the production manager for ''What Dreams May Come'' (which won an Oscar for its effects), ''Armageddon'', ''[[Star Trek]]: Insurrection'', and ''Doctor Dolittle''. Some of Mark's other credits include ''The Lost Room'', ''Ruffian'', ''Ugly Betty'', ''Battlestar Galactica'', ''Mortal Kombat: Annihilation'', ''Wanda at Large'', and ''Baby Bob''.		Mark Spatny got his start as a production and lighting designer for the stage, then moving into 3D modeling and computer game design (for Disney Interactive and other PC game producers). Soon thereafter, Mark went to work as a producer and digital effects supervisor for Modern Videofilm, where he worked on films such as ''I, Robot'', ''The Last Samurai'', and ''The League of Extraordinary Gentlemen'', as well as television shows like ''Everwood'', ''Gilmore Girls'', ''Birds of Prey'', and ''Sabrina the Teenage Witch''. He then went to work for POP Film, where he was the production manager for ''What Dreams May Come'' (which won an Oscar for its effects), ''Armageddon'', ''[[Star Trek]]: Insurrection'', and ''Doctor Dolittle''. Some of Mark's other credits include ''The Lost Room'', ''Ruffian'', ''Ugly Betty'', ''[[Battlestar Galactica]]'', ''Mortal Kombat: Annihilation'', ''Wanda at Large'', and ''Baby Bob''.

	==Notes==		==Notes==

imported>Leckie: /* Notes */ grammar

2009-12-08T17:01:47Z

Notes: grammar

← Older revision		Revision as of 17:01, 8 December 2009
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	* In 2007, Mark Spatny was [[awards and nominations\|nominated]] for an "Outstanding Special Visual Effects For A Series" Emmy for his work on ''[[Five Years Gone]]''. In the same year, he was also nominated for an Emmy for ''Nightmares & Dreamscapes: From the Stories of Stephen King''.		* In 2007, Mark Spatny was [[awards and nominations\|nominated]] for an "Outstanding Special Visual Effects For A Series" Emmy for his work on ''[[Five Years Gone]]''. In the same year, he was also nominated for an Emmy for ''Nightmares & Dreamscapes: From the Stories of Stephen King''.
	* In 2008, Mark Spatny was [[awards and nominations\|nominated]] for an "Outstanding Visual Effects in a Broadcast Series" award from VES for his work on ''[[The Second Coming]]''. In 2009, he was nominated for the same award for his work on ''[[The Second Coming]]''.		* In 2008, Mark Spatny was [[awards and nominations\|nominated]] for an "Outstanding Visual Effects in a Broadcast Series" award from VES for his work on ''[[The Second Coming]]''. In 2009, he was nominated for the same award for his work on ''[[The Second Coming]]''.
	* Mark produced most of the 1,100 effects seen in ~~the~~ [[Season One]] of ''[[Heroes]]''.		* Mark produced most of the 1,100 effects seen in [[Season One]] of ''[[Heroes]]''.
	* Typically, Mark finds out from the producers which locales will be featured in ''Heroes'' over the course of a season. He then sends crews to those cities to shoot footage (live-action and still) during both evening and daylight hours so they can build up a library of still and live-action plates.		* Typically, Mark finds out, from the producers, which locales will be featured in ''Heroes'' over the course of a season. He then sends crews to those cities to shoot footage (live-action and still) during both evening and daylight hours so they can build up a library of still and live-action plates.
	* [[Mark Spatney]], Mohinder's neighbor, was named after Mark Spatny.		* [[Mark Spatney]], Mohinder's neighbor, was named after Mark Spatny.

imported>Ryangibsonstewart: ves

2009-09-20T21:17:46Z

ves

← Older revision		Revision as of 21:17, 20 September 2009
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	==Notes==		==Notes==
	* In 2007, Mark Spatny was [[awards and nominations\|nominated]] for an "Outstanding Special Visual Effects For A Series" Emmy for his work on ''[[Five Years Gone]]''. In the same year, he was also nominated for an Emmy for ''Nightmares & Dreamscapes: From the Stories of Stephen King''.		* In 2007, Mark Spatny was [[awards and nominations\|nominated]] for an "Outstanding Special Visual Effects For A Series" Emmy for his work on ''[[Five Years Gone]]''. In the same year, he was also nominated for an Emmy for ''Nightmares & Dreamscapes: From the Stories of Stephen King''.
			* In 2008, Mark Spatny was [[awards and nominations\|nominated]] for an "Outstanding Visual Effects in a Broadcast Series" award from VES for his work on ''[[The Second Coming]]''. In 2009, he was nominated for the same award for his work on ''[[The Second Coming]]''.
	* Mark produced most of the 1,100 effects seen in the [[Season One]] of ''[[Heroes]]''.		* Mark produced most of the 1,100 effects seen in the [[Season One]] of ''[[Heroes]]''.
	* Typically, Mark finds out from the producers which locales will be featured in ''Heroes'' over the course of a season. He then sends crews to those cities to shoot footage (live-action and still) during both evening and daylight hours so they can build up a library of still and live-action plates.		* Typically, Mark finds out from the producers which locales will be featured in ''Heroes'' over the course of a season. He then sends crews to those cities to shoot footage (live-action and still) during both evening and daylight hours so they can build up a library of still and live-action plates.

imported>Ryangibsonstewart: link

2009-09-20T21:12:10Z

link

← Older revision		Revision as of 21:12, 20 September 2009
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	==Notes==		==Notes==
	* In 2007, Mark Spatny was nominated for an "Outstanding Special Visual Effects For A Series" Emmy for his work on ''[[Five Years Gone]]''. In the same year, he was also nominated for an Emmy for ''Nightmares & Dreamscapes: From the Stories of Stephen King''.		* In 2007, Mark Spatny was [[awards and nominations\|nominated]] for an "Outstanding Special Visual Effects For A Series" Emmy for his work on ''[[Five Years Gone]]''. In the same year, he was also nominated for an Emmy for ''Nightmares & Dreamscapes: From the Stories of Stephen King''.
	* Mark produced most of the 1,100 effects seen in the [[Season One]] of ''[[Heroes]]''.		* Mark produced most of the 1,100 effects seen in the [[Season One]] of ''[[Heroes]]''.
	* Typically, Mark finds out from the producers which locales will be featured in ''Heroes'' over the course of a season. He then sends crews to those cities to shoot footage (live-action and still) during both evening and daylight hours so they can build up a library of still and live-action plates.		* Typically, Mark finds out from the producers which locales will be featured in ''Heroes'' over the course of a season. He then sends crews to those cities to shoot footage (live-action and still) during both evening and daylight hours so they can build up a library of still and live-action plates.

imported>MiamiVolts: +fullname

2009-07-16T21:24:31Z

+fullname

← Older revision		Revision as of 21:24, 16 July 2009
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	{{Infobox crew		{{Infobox crew
	\| Name=Mark Spatny		\| Name=Mark Spatny
	\| AKA=		\| AKA=Mark Scott Spatny
	\| Image=Mark Spatny.jpg		\| Image=Mark Spatny.jpg
	\| ImageCaption=		\| ImageCaption=

imported>Ryangibsonstewart: /* Notes */ mark spatney

2008-10-14T03:36:16Z

Notes: mark spatney

← Older revision		Revision as of 03:36, 14 October 2008
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	* Mark produced most of the 1,100 effects seen in the [[Season One]] of ''[[Heroes]]''.		* Mark produced most of the 1,100 effects seen in the [[Season One]] of ''[[Heroes]]''.
	* Typically, Mark finds out from the producers which locales will be featured in ''Heroes'' over the course of a season. He then sends crews to those cities to shoot footage (live-action and still) during both evening and daylight hours so they can build up a library of still and live-action plates.		* Typically, Mark finds out from the producers which locales will be featured in ''Heroes'' over the course of a season. He then sends crews to those cities to shoot footage (live-action and still) during both evening and daylight hours so they can build up a library of still and live-action plates.
			* [[Mark Spatney]], Mohinder's neighbor, was named after Mark Spatny.

	[[Image:Mark Spatny VES.jpg\|right\|thumb]]		[[Image:Mark Spatny VES.jpg\|right\|thumb]]

imported>Ryangibsonstewart: /* Notes */ process, from hollywood reporter article

2007-07-23T13:45:26Z

Notes: process, from hollywood reporter article

← Older revision		Revision as of 13:45, 23 July 2007
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	* In 2007, Mark Spatny was nominated for an "Outstanding Special Visual Effects For A Series" Emmy for his work on ''[[Five Years Gone]]''. In the same year, he was also nominated for an Emmy for ''Nightmares & Dreamscapes: From the Stories of Stephen King''.		* In 2007, Mark Spatny was nominated for an "Outstanding Special Visual Effects For A Series" Emmy for his work on ''[[Five Years Gone]]''. In the same year, he was also nominated for an Emmy for ''Nightmares & Dreamscapes: From the Stories of Stephen King''.
	* Mark produced most of the 1,100 effects seen in the [[Season One]] of ''[[Heroes]]''.		* Mark produced most of the 1,100 effects seen in the [[Season One]] of ''[[Heroes]]''.
			* Typically, Mark finds out from the producers which locales will be featured in ''Heroes'' over the course of a season. He then sends crews to those cities to shoot footage (live-action and still) during both evening and daylight hours so they can build up a library of still and live-action plates.

	[[Image:Mark Spatny VES.jpg\|right\|thumb]]		[[Image:Mark Spatny VES.jpg\|right\|thumb]]

	==Trivia==		==Trivia==
	* Mark helped create the Visual Effects Society Awards, which he currently helps manage as he serves as the organization's co-chair. Mark is also a member of the Academy of Television Arts and Sciences.		* Mark helped create the Visual Effects Society Awards, which he currently helps manage as he serves as the organization's co-chair. Mark is also a member of the Academy of Television Arts and Sciences.