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===Page 1===
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Image:Past Experience, P1 layout.jpg|[[J.T. Krul]] gave Jason some very specific scene directions, including the first direction which was to begin with a closeup of [[Kimiko]] and end with a closeup of [[Hiro]]. Jason thought of the transition like a camera focusing on Kimiko's hands, zooming out and slowly shifting the focus to the right, and ending on a closeup of Hiro.
Image:Past Experience, P1 layout.jpg
Image:Past Experience, P1 bnw.jpg.jpg|"I wanted to draw the pants off this piece. I can't imagine how much drawing one would have to do to get someone to take their pants off, but I'm guessing it's a lot." "C'mon, look at those flowers! That's a LOT of flowers! I also had great fun drawing all the characters, but especially enjoyed drawing [[George Takei]]. It was fun de-ageing him! Welcome to the magic of comics!"
Image:Past Experience, P1 bnw.jpg.jpg
Image:Past Experience, P1.jpg|Since the story is set during three main time periods, Jason decided to mimic the style of the flashbacks in ''[[Company Man]]'' for the flashbacks of Hiro reading about [[Kensei]] and Kimiko doing ikebani. Jason made sure to use blown out whites and deep blacks. This left him with whites that "were really white. Like white-white!" So Jason heavily airbrushed the page to achieve his desired effects.
Image:Xander Black.jpg
Image:Xander Black.jpg|During the creation process, Jason's new laptop began to misbehave, and Jason worried he wouldn't be able to get the comic done in time. He called his friend, Xander Black, who figured out what the problem was, and Jason was able to finish the comic on schedule. Hiro's shirt has a shout out to Xander.
Image:Past Experience, P1.jpg
</gallery>
</gallery>


Revision as of 16:22, 13 February 2008

This article is a stub. You can help by expanding it.
In particular, this article needs Jason Badower's original comments.

Jason Badower shares his original art and comments about his work on Past Experience.

Page 1

  • J.T. Krul gave Jason some very specific scene directions, including the first direction which was to begin with a closeup of Kimiko and end with a closeup of Hiro. Jason thought of the transition like a camera focusing on Kimiko's hands, zooming out and slowly shifting the focus to the right, and ending on a closeup of Hiro.
    J.T. Krul gave Jason some very specific scene directions, including the first direction which was to begin with a closeup of Kimiko and end with a closeup of Hiro. Jason thought of the transition like a camera focusing on Kimiko's hands, zooming out and slowly shifting the focus to the right, and ending on a closeup of Hiro.
  • "I wanted to draw the pants off this piece. I can't imagine how much drawing one would have to do to get someone to take their pants off, but I'm guessing it's a lot." "C'mon, look at those flowers! That's a LOT of flowers! I also had great fun drawing all the characters, but especially enjoyed drawing George Takei. It was fun de-ageing him! Welcome to the magic of comics!"
    "I wanted to draw the pants off this piece. I can't imagine how much drawing one would have to do to get someone to take their pants off, but I'm guessing it's a lot." "C'mon, look at those flowers! That's a LOT of flowers! I also had great fun drawing all the characters, but especially enjoyed drawing George Takei. It was fun de-ageing him! Welcome to the magic of comics!"
  • Since the story is set during three main time periods, Jason decided to mimic the style of the flashbacks in Company Man for the flashbacks of Hiro reading about Kensei and Kimiko doing ikebani. Jason made sure to use blown out whites and deep blacks. This left him with whites that "were really white. Like white-white!" So Jason heavily airbrushed the page to achieve his desired effects.
    Since the story is set during three main time periods, Jason decided to mimic the style of the flashbacks in Company Man for the flashbacks of Hiro reading about Kensei and Kimiko doing ikebani. Jason made sure to use blown out whites and deep blacks. This left him with whites that "were really white. Like white-white!" So Jason heavily airbrushed the page to achieve his desired effects.
  • During the creation process, Jason's new laptop began to misbehave, and Jason worried he wouldn't be able to get the comic done in time. He called his friend, Xander Black, who figured out what the problem was, and Jason was able to finish the comic on schedule. Hiro's shirt has a shout out to Xander.
    During the creation process, Jason's new laptop began to misbehave, and Jason worried he wouldn't be able to get the comic done in time. He called his friend, Xander Black, who figured out what the problem was, and Jason was able to finish the comic on schedule. Hiro's shirt has a shout out to Xander.


Jason Badower's Art and Comments edit

Road Kill • War Buddies, Part 4 • War Buddies, Part 5 • The Death of Hana Gitelman, Part 1 • The Death of Hana Gitelman, Part 2 • Blackout, Part 1 • Blackout, Part 2 • Past Experience • Moonlight Serenade • Root and Branch, Part 1 • Root and Branch, Part 2 • Root and Branch, Part 3 • Into the Wild, Part 1 • Into the Wild, Part 2 • Into the Wild, Part 3 • Sum Quod Sum, Part 1

See Also: Jason Badower • Past Experience • Images from Past Experience
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